Broadway revivals and 'Liberation' win big at the Tony Awards, hosted by
Pink
[June 08, 2026]
By MARK KENNEDY
NEW YORK (AP) — “Schmigadoon!,” an adaptation of an Apple TV series that
gently mocks big, brassy Broadway shows, won the best new musical Tony
Award on a night when actor John Lithgow and playwright Bess Wohl made
history.
The musical parodies golden-age Broadway classics like “The Music Man”
and “Oklahoma!” centered on a modern-day couple finding themselves in a
“Brigadoon”-like fantasyland where the wholesome townspeople keep
breaking into song. The win is a redemption for creator Cinco Paul,
whose TV series was canceled after two seasons. He won Tonys for the
score and the book Sunday.
“Sometimes singing, dancing, jokes and a happy ending are all you need,"
said producer Lorne Michaels, the creator of “Saturday Night Live,”
after the win.
The win for “Schmigadoon!” also completes what some unofficially call a
“studio EGOT,” giving the producing company credits for winning awards
at all four major ceremonies. Apple already has Emmys for comedies “Ted
Lasso” and “The Studio,” the Oscar for best picture for “CODA” and a
Grammy via Chris Stapleton’s contribution to the “F1” soundtrack.
Who took home the Tony Awards
The prize for the best new play went to Wohl’s “Liberation,” about a
consciousness-raising women’s group in 1970s Ohio, which earlier this
year also won the Pulitzer Prize for drama.
Wohl’s play collects stories from second-wave feminists from all walks
of life as they tackle misogyny, racism and traditional gender roles.
Wohl is only the fourth woman to win a best play Tony, joining Wendy
Wasserstein, Yasmina Reza and Frances Goodrich.
“I want to honor women everywhere who have the courage to use their
voice," said Wohl, who thanked her mom, daughters and female producers.
"And to all the girls out there: May you speak your truth, and may the
world be wise enough to listen.”
“Liberation” joins a list of 18 plays that have won the Pulitzer Prize
for drama and the Tony Award in the same year.
The Tony for best play revival went to “Death of a Salesman,” Arthur
Miller’s masterpiece that looks at the unraveling of the American Dream.
It won the 1949 Tony for best new play and best revival crowns in 1984,
1999 and 2012.
It earned a leading six Tonys: “Roseanne” star Laurie Metcalf won her
third Tony for playing Willy Loman’s wife opposite Nathan Lane in the
revival, which also won for lighting, scenic design and sound design.
Joe Mantello won best director for a play.
‘Ragtime,' ‘Giant,’ and other stand-out plays
“Ragtime” — a big, soaring musical that depicts an America being remade
by immigration, racial violence, industrial wealth and political unrest
— won the best musical revival.
Caissie Levy, who was Broadway’s first Elsa in “Frozen,” won her first
Tony for playing the matriarch of a wealthy suburban family in
“Ragtime.” She thanks all the babysitters who let her become both a
mother and a Broadway performer.
Moments later, Joshua Henry, a four-time nominee, won his first Tony as
Coalhouse Walker Jr. in “Ragtime.” “Even in the face of pain and
tragedy, he found a way to be heard,” Henry said of his character.
"Every artist in this room, every artist at home, fight — fight to be
heard
Lithgow won his third Tony for best lead actor in a play for “Giant”
playing children’s writer Roald Dahl in Mark Rosenblatt’s production set
in 1983, when the author is facing intense backlash for his antisemitic
comments. At 80, he is the oldest man ever to win a competitive acting
Tony.
“Two Tony bookends with 53 years between them,” he said. “In those
years, I have worked with hundreds of just fantastic theater artists.
I’ve had dozens and dozens of ecstatic moments on the stage, but I have
to tell you right now, this moment has got to be one of the best.”
[to top of second column]
|
Neil Patrick Harris, left, and Host Pink perform during the 79th
Tony Awards on Sunday, June 7, 2026, at Radio City Music Hall in New
York. (Photo by Charles Sykes/Invision/AP)
 Shoshana Bean, who won best featured
actress in a musical for playing a single mom in “The Lost Boys,”
echoed the themes of “Liberation” in her speech.
“This is for the mamas. This is for the single mamas. This is for my
single mama. You are the wild heroes. This is for the incredible
army of women that surround and uplift me," she said.
“Cats: The Jellicle Ball,” which reimagines the 1980s classic feline
musical as a celebration of queer ballroom culture, won for best
direction of a musical by Zhailon Levingston and Bill Rauch.
“We honor the Black and brown trans women and gay men who were
ballroom’s pioneers, as well as today’s icons, and our cast of
astonishing triple-threats, including people from their 20s to their
80s, and every decade in between,” Levingston said.
Lesley Manville, an Oscar nominee for “Phantom Thread,” won best
lead actress in a play, making her Broadway debut in a modern
retelling of Sophocles’ classic tragedy “Oedipus.”
Pink's performance as the host
Pink, the Tony's host, started the show spinning and then dangling
uncomfortably from a harness over the stage, dressed like Peter Pan.
Former host Neil Patrick Harris stepped in to suggest the first-time
host just be herself.
“You’re Pink, Pink. You can do anything,” he told her.
After lifting Harris off the stage with her legs, Pink relented to
his suggestion, added a top hat and belted out “Lady Marmalade” with
contributions from dozens of performers including Lea Michele and
Megan Thee Stallion — and some 170 performers.
In her opening remarks, Pink, who has not yet gotten a Broadway
credit, called herself theater’s second-biggest fan after her
teenage daughter, Willow. “I’m not here just to steal peoples’ wigs,
although I will be doing that. I’m here to celebrate the
hardest-working people in show business,” she said.
“Schmigadoon!” and “Death of a Salesman” each went into the main
telecast with a lead of three Tonys after a pre-show on Pluto TV
hosted by Laura Benanti and Tituss Burgess that announced the more
technical awards. Qween Jean became the first openly trans Tony
winner ever for making the costumes for “Cats: The Jellicle Ball.”
Plenty of medleys and dance sequences
After the big opening number, Pink was generally a genial, exuberant
figure, popping up in new outfits for a few self-deprecating bits,
but then roaring to life when leading a very convincing “All That
Jazz” as “Chicago” celebrated its 30th anniversary, with the pop
singer nailing the Bob Fosse-inspired choreography.
The In Memoriam section was led by Leslie Odom Jr. singing a
powerful “Without You” from “Rent,” honoring such lost figures as
actors Robert Duvall, Robert Redford and Diane Keaton, as well as
playwright Tom Stoppard. Rachel Zegler then stunned with a version
of “What I Did For Love” from “A Chorus Line,” which last year
celebrated its 50th anniversary.
Other performances included the original lead cast members of “The
Book of Mormon” — Josh Gad, Andrew Rannells, Rory O’Malley and Nikki
M. James — reuniting to celebrate its 15th anniversary.
All contents © copyright 2026 Associated Press. All rights reserved |
